22.3.23
Collaborative Collection with Debris Facility at Cathedral Cabinet, Melbourne
Found Combs, with Debris Facility (2007 - ongoing)
Cathedral Cabinet, Melbourne, February 2023. Photographed by Tommaso Nervegna-Reed
19.4.22
Tutto: Deakin University Art Gallery, 2022
Tutto was a solo exhibition of video work from the past 10 years. Presented at Deakin University Art Gallery from Feb-March 2022. Curated by James Lynch. Documentation by Jacqui Shelton.
Supported by the Sustaining Creative Workers Initiative and the Victorian Government through Creative Victoria and Regional Arts Victoria.
Supported by the Sustaining Creative Workers Initiative and the Victorian Government through Creative Victoria and Regional Arts Victoria.
13.2.22
13.7.21
Fulfilment Centre is a 10 part sound series I made in 2020/21. It was commissioned by TarraWarra Museum of Art for Victoria Together and supported by the Victorian Government through Creative Victoria.
Mastered by Brennan Olver
Additional music on episode 5 by Wet Kiss
Design by Debris Facility
Voice performers: Deb Kunda, Isla Scott, Tim Woodward, Liang Luscombe, Caroline Anderson, Charlie Sofo and Brennan Olver.
2.6.21
Emotional Hydraulics

Video stills from Fold, 2021, digital video, 13 mins
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Interior / exterior view of upstairs
Video stills from The Whole Universe, 2021, digital video, 8 mins
Video still from Clicks, 2021, digital video, 3:04 mins
Installation view including Artery Notice Board
View of exterior curtain
Emotional Hydraulics
Artery CooperativeNorthcote, Melbourne
April, 2021
20.8.20
You'll never know your own smell, Darren Knight Gallery, Sydney 2020
Trail Mix
2014-2020
nuts, seeds, dried fruit and wood
43 x 33 cm
Lenses
2019
found material on board
70 x 90 cm
2016
cotton, newsprint
45 x 35 cm
19.4.20
12.10.19
On Vulnerability & Doubt, Australian Centre for Contemporary Art, August 2019
Library
digital video, duration 1:08 mins

Reference points (16 photographs of a nipple)
inkjet print
2.5 x 4.0 cm (each, sixteen prints)

Various confectionery sucked to the smallest structural point
Various materials and dimensions


Lost soccer balls (removed from circulation for the duration of the exhibition)
found balls, timber shelf
180cm x 215cm x 43cm

Low notes
digital video
3:00 mins


Documentation by Jacqui Shelton and Andrew Curtis
11.4.19
Shapeshifters: curated by Tara McDowell
Windows, 2019
An entrance & exit point for Shapeshifters curatorial symposium, MADA Faculty Gallery
Photographs by Keelan O'Hehir.
22.3.19
Some things
Some things
2005 - 2019
Included in Queer Economies curated by Abbra Kotlarczyk and Madé Spencer-Castle
Bus Projects
Collingwood, 2019
(Image 1 by Christo Crocker)
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