Slug, edited by Tom Melick and Elisa Taber, and designed by Robert Milne.

 

Collaborative Collection with Debris Facility at Cathedral Cabinet, Melbourne

Found Combs, with Debris Facility (2007 - ongoing)

Cathedral Cabinet, Melbourne, February 2023. Photographed by Tommaso Nervegna-Reed

Tutto: Deakin University Art Gallery, 2022

Tutto was a solo exhibition of video work from the past 10 years. Presented at Deakin University Art Gallery from Feb-March 2022. Curated by James Lynch. Documentation by Jacqui Shelton.

Supported by the Sustaining Creative Workers Initiative and the Victorian Government through Creative Victoria and Regional Arts Victoria.

Bathroom in un Magazine 15.2

 

Fulfilment Centre is a 10 part sound series I made in 2020/21. It was commissioned by TarraWarra Museum of Art for Victoria Together and supported by the Victorian Government through Creative Victoria.

Mastered by Brennan Olver
Additional music on episode 5 by Wet Kiss
Design by Debris Facility

Voice performers: Deb Kunda, Isla Scott, Tim Woodward, Liang Luscombe, Caroline Anderson, Charlie Sofo and Brennan Olver.

Emotional Hydraulics

Video stills from Fold, 2021, digital video, 13 mins

Interior / exterior view of upstairs

Video stills from The Whole Universe, 2021, digital video, 8 mins

Video still from Clicks, 2021, digital video, 3:04 mins

Installation view including Artery Notice Board

View of exterior curtain

Image credits: Keelan O'Hehir & Tim Woodward

Emotional Hydraulics

Artery Cooperative

Northcote, Melbourne

April, 2021

You'll never know your own smell, Darren Knight Gallery, Sydney 2020

Trail Mix
2014-2020
nuts, seeds, dried fruit and wood
43 x 33 cm

Lenses
2019
found material on board
70 x 90 cm

News
2016
cotton, newsprint
45 x 35 cm

Low Notes, 2019

On Vulnerability & Doubt, Australian Centre for Contemporary Art, August 2019

Library
digital video, duration 1:08 mins
 


Reference points (16 photographs of a nipple) 
inkjet print
2.5 x 4.0 cm (each, sixteen prints)



Various confectionery sucked to the smallest structural point
Various materials and dimensions




Lost soccer balls (removed from circulation for the duration of the exhibition)
found balls, timber shelf
180cm x 215cm x 43cm



Low notes 
digital video
3:00 mins






Documentation by Jacqui Shelton and Andrew Curtis

Shapeshifters: curated by Tara McDowell

Windows, 2019
An entrance & exit point for Shapeshifters curatorial symposium, MADA Faculty Gallery
Photographs by Keelan O'Hehir.

Some things

Some things
2005 - 2019
Included in Queer Economies curated by Abbra Kotlarczyk and Madé Spencer-Castle
Bus Projects
Collingwood, 2019

(Image 1 by Christo Crocker)